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The European Bibliography of Slavic and East European Studies (EBSEES) collects books, journal articles, reviews and dissertations from Eastern Europe (former countries of Eastern Bloc) which were published in Belgium, Germany, Finland, France, Great Britain, the Netherlands, Austria and Switzerland from 1991 to 2007. The segment "Literature" and "Culture" of the European Bibliography of Slavic and East European Studies contains 18.000 bibliographic entries (from the total asset of 85.000). More information can be found here.
| ID | 3287 |
| Title | The Red screen: politics, society, art in Soviet cinema |
| Editor(s) | Ed. by Lawton, Anna |
| Year | 1992 |
| Pages | vi+360 p |
| Place | London |
| Publsiher | Routledge |
| Language(s) | eng |
| Annotation | Cf.: Lawton, Anna, "Introduction: an interpretive survey", p. 1-18. Part I: From Potemkin to the Elbe: Thompson, Kristin, "Government policies and practical necessities in the Soviet cinema of the 1920s", p. 19-41; Taylor, Richard, "Ideology and popular culture in Soviet cinema: The kiss of Mary Pickford", p. 42-65; Youngblood, Denise J., "Cinema as social criticism: the early films of Fridrikh Ermler", p. 66-89; Petrić, Vlada, "Cinematic abstraction as a means of conveying ideological messages in The man with the movie camera", p. 90-112; Michelson, Annette, "The kinetic icon and the work of mourning: prolegomena to the analysis of a textual system", p. 113-31; Kepley, Vance, Jr., "Mr Kuleshov in the land of the modernists", p. 132-47; Kenez, Peter, "Films of the Second World War", p. 148-74. Part II: From the Thaw to the new model: Marshall, Herbert, "The new wave in Soviet cinema", p. 175-92; Troncale, Joseph, "The war and Kozintsev's films Hamlet and King Lear", p. 193-210; Navailh, Françoise, "The image of women in contemporary Soviet cinema", p. 211-30; Dunlop, John B., "Russian nationalist themes in Soviet film of the 1970s", p. 231-48; Eagle, Herbert, "Socialist realism and American genre film: the mixing of codes in Jazzman", p. 249-63; Golovskoy, Val, "Art and propaganda in the Soviet Union, 1980-5", p. 264-74; Buttafava, Giovanni, "Alexei German, or the form of courage", p. 275-82; Gershkovich, Alexander, "Scarecrow and Kindergarten: a critical analysis and comparison", p. 283-90; Micciché, Lino, "The cinema of the Transcaucasian and Central Asian Soviet republics", p. 291-99; Dallet, Sylvie, "Historical time in Russian, Armenian, Georgian and Kirghiz cinema", p. 303-14; Ferro, Marc, "Does a film writing of history exist? The case of the Soviet Union", p. 315-21; Braginsky, Michael, "The anthill in the year of the dragon", p. 322-30; Shepotinnik, Peter, "With perestroika, without Tarkovsky", p. 331-39 |
| Subjects | Russia, USSR, Russia (Federation) / Cinema, Film, Video [Browse all] Armenia / Cinema, Film, Video [Browse all] Georgia / Cinema, Film, Video [Browse all] Kyrgyzstan / Cinema, Film, Video [Browse all] German, Aleksej Kulešov, Lev Ermler, Fridrih Kozincev, Grigorij |
| Medium | book |
| Holdings | Search WorldCat |
| PURL | Citation link |
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